Convoluted Dissonance in Metals # 1, 2, 3, 4, 5 Lives in a Bag, 6 is in my Front Right pocket, and 8 and 9 are in the corner	J began making Chainmaille in college and found it a very unique medium to work in. Each piece had to be hand assembled and the metals went from a hard and unyielding material to something that was soft and supple. Whats more, is that maille had a unique movement all its own. A length of maille would reflect the movements of the person holding it, swaying with a rhythm that was imparted by the person who was holding it or the environment it was placed in.
Chainmaille also deviated from the standard ideology of untouchable art. This was a medium that was impressive for its weight and substance. Instead of a sensation of 'oooh, thats pretty' you could pick it up and feel it and say 'oooh, that feels neat!' That impressed J.	The Rolling Cube Series
Convoluted Dissonance in Metals #3	What also captivated J is the intimacy of Chainmaille. You cannot machine make chainmaille. It has to be done by hand. And J loved the feeling of creation when you hold Chainmaille Art.